Performers can spend the breadth of their careers waiting, hoping, to originate a role on Broadway. When “The Band’s Visit” opens at the Ethel Barrymore Theatre this fall, its star, Katrina Lenk, will have done it twice—in a matter of seven months.
“I am constantly going, ‘Wait, what’s happening right now?,’ ” Lenk says on an uncharacteristically chilly August day in New York City, trying to make sense of the position she finds herself in. “I haven’t wrapped my head around it. Yes, it’s fantastic. And now we do the work.”
It’s a grounded appraisal from someone who can attest to the rarity of this once-in-a-career perfect storm. Lenk is not an ingénue or overnight success. Between stints in Los Angeles and Chicago and her tenure in New York, she’s worked diligently for years in television and film, and understudied and replaced others in theater.
But it wasn’t until last season’s starring role in Paula Vogel’s Tony-nominated “Indecent” (which she’d previously played Off-Broadway) that she became a lightning rod for New York City’s attention. Now, in David Yazbek and Itamar Moses’ “The Band’s Visit,” which she’ll be revisiting in its Main Stem incarnation after starring Off-Broadway, Lenk will lead a musical on Broadway for the first time and step into a role that’s poised to change her life.